"This is official police business, Mr. Basil — business for the official police, not amateur detectives..."
In the year 1897, Scotland Yard had twenty-nine detectives for the whole of London whose population had grown to over five million. London had become a great cesspool into which all the loungers and idlers of the Empire were irresistibly drained. Certainly, the life of a policeman is an increasingly rough one. As a civil servant of the law, an officer endures a great deal of guff for long, labourious hours and for minuscule wages, as he places his life in everyday harm for an adverse, displeasured populace who does not appreciate him nor acknowledge the thought. Despite this, Vole has no complaints.
Recently promoted, Sherringford Basil has praised Chief Inspector Vole as the "best of the professionals" — the pick of a bad lot. Official attitudes, at the time, were based on class prejudice. The appropriated detectives believed on that all the evil and corruption of the crime lie in the filth and squalour of the lower orders, not by the gentry; however, it was Vole who separated and transcended himself away from his contemporaries in the force: He is well aware that the grace and gentry that crime, with their wealth and power, can easily exist in the drawing-rooms and salons of the West End of London, as it can in the stews and alleyways of the East End. He is an active campaigner in the anti-corruption reform, and is well recognized and praised for his loyalty and heroism.
He is an intelligent, industrious, diligent, no-nonsense individual who is neither an uppity snob nor an incompetent bungler. Quick and energetic, but conventional and shockingly so, lacking the creative imagination that Basil finds necessary for all criminal investigations, he is, nonetheless, a meticulous and capable investigator who prefers to solve crime the old-fashioned way — by putting in the hours! Vole looks into everything with a jaundiced eye, scribbles copious notes in his official black book, and piles up the evidence before he draws up an expert conclusion towards the guilty party. This, of course, is not the most colourful of methods, but it is an effective one! He does not offer great leaps of deductive logic, nor does he talk like an elocution expert, or dine like epicures, or dress like a peacock from Savile Row. He is a simple, hard-working honest cop, as colourful as boiled cabbage, who sees the enormous amount of injustice and suffering in the world and concludes that his only moral choice is to devote his life a hundred-and-ten-per-cent to his work. It was his bull-dog tenacity and stinging honesty that propelled him to the top of Scotland Yard. He does have a patronizing attitude towards Basil's eccentric methods, proclaiming that he could have be "one of the best officers in the force, if he'd only stay to traditional means." Vole initially finds Basil a bit of a nuisance, often (mis)pronouncing his name as "Mr. Bassul" in his nasal voice, constantly poking his nose where it's not wanted and occasionally embarrassing him and taunting his abilities — abilities which Vole takes immense pride in — but, regardless, he will swallow his ego with munificent humility when Basil proves him in the wrong, and proudly preens when he's in the right! Despite their constant rivalry and one-upmanship, they share a great respect for one another.
He is bright and diligent, resolute yet stubborn, pessimistic and self-conscious, serious and socially awkward, to the point and often easily irritated when others are not. He is quite the stiff shirt, noted for his thinly curled mustache and his prominent beaky schnoze, with a wry (if dry) sense of humour. However, he is a chronic "workaholic" who channels all his waking energy into his work, channeling his lack of self-worth and worldly loneliness in the most self-destructive ways. He has no personal life — no family, no friends, no loves, no breaks, no vacations; he sacrifices both health and happiness for the sake of duty — and yet he is the most reliable, most faithful, and most indispensable of men.
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Well, here's the GMD version of Inspector Lestrade. It's unfortunate that Lestrade has gotten such a bad wrap. He's often portrayed as a idiot, like Watson, when he certainly was not. He was always one of my favourite inspectors from the Sacred Writings, mainly due to Colin Jeavons' portrayal of him, who is the best Lestrade ever, in the Granada series. He was clever, endearing, humourous, and downright sexy at time! Eve Titus mentions an "Inspector Vole" in the first Basil of Baker Street book and I wanted my Vole to move far away from the "idiot" portrayal. I plan to do (solo) Vole mysteries someday. Goddamnit, respect the Lestrade/Vole!
(My favourite episode with Mr. Jeavons' Lestrade — and one of my favourite episodes of the entire series — is The Six Napoleons! Here's some clips and it may contain spoilers, but I hope it will convince you to read the story and/or watch the entire episode! )
I have been meaning to write a critique on one of your works - and this one in particular - for quite some time now, yet try as I might, I never seem to find the proper words, and not even now can I say that I am certain that the words I use are worthy enough for what you delight us with.
Now, it is my opinion that one must never try and rant about how "incomplete" some works are, for then critique in itself would fail to have a point. The sketchiness in the first two "pictures" gives one the feeling that he (or she) is looking at one of those terribly old, terribly rare and also terribly beautiful Disney character sheets and concepts, and that is instantly a "+" in my book. Sketches are a work of art, no matter what.
BUT - the finished colored DIGITAL piece still captures the viewers' interest in a flash! (especially when Vole has that "aha!" kind of look ... lovely!)
Also, considering who this character actually is (mouse-Lestrade much? how awesome is that!) all I can think of saying is "congratulations!" Taking an already existing character from books and such - where little to no images or references are provided - and trying to give it shape (or how I like to call it: "life") is by no means an easy task. But your Vole looks perfectly in character!
Out of the 12 basic principles of animation, you most certainly know how to use the "appeal" on a character. For that, I thank and applaud you!
Oh my god!! This picture rules! And I agree with you... Every story I have written the poor Inspector is portrayed as an idiot. I am writing my own GMD fic at the moment and weirdly I have pictured Vole's personality similar to what you describe here. And although he won't have more than a single chapter feature I want to assure you he will be no idiot in my fic... I would also like to supply a link to your pic because this so totally rules and I love it!!! ~ditzy x
It's said to see Lestrade/Lestrade-based characters be portrayed as the bungling idiot, I agree. Some portrayals just border on cruelty. You can have a character, an authority figure, like a policeman, who makes a mistake and not make him come off as cruel and/or moronic. I feel a lot of writers don't realize that and it's upsetting.
Glad to hear he'll get the appreciation he deserves in your pastiche. I wish you the best on that and hope to read it soon. Assuming you don't claim (this specific version of) the character as your own as I've had him stolen time and time again by writers (because I've been in the GMD fandom since 1999, one of the earliest Basilians on the net, an old fossil, established a lot of the more "literary" elements to the fandom before it fell into what it is now, so most people who use the character of Vole, most of the time, it's MY Vole), you're welcome to link this image (and please give me credit, too).
Also, I hope you enjoy my other Vole works in my gallery. He's scattered all over my gallery.
My version of Vole looks slightly different from yours and personality wise I've based him slightly on Boyce from Only Fools and Horses (don't know if you've ever seen that) the fact that he's a workaholic is pure coincidence as I'd decided my character before seeing your pic and was amazed by the similarities... Fear not though, I still will mention you as you wrote your first. It's only fair X
I wasn't pointing at you. I love your design for Vole. It amuses the hell out of me that it looks so much like Colin Jeavons (far more than mine) and, yes, I love ONLY FOOLS AND HORSES. And that's very sweet, thank you!
Love to hear your opinion on the rest of my GMD works: [link]
Wow this is perfect youve got the charcter down to a t. and yes lestrade has got a bad Wrap which is totaly unfair he was always my one of my favorites. I also love the charcter profile you have given him, always the way i would imagin him being. damn your drawing just makes me want to give him a hug!
Awwwww, thanks! I'm glad there are more Lestrade fans out there. I adore the character and can't stand when he's treated sorely in films. He's not incapable or stupid; he's just a traditionalist. I'm glad you like this tribute to Lestrade and I hope you check out the rest of my gallery (from "Life and Times of Sherringford Basil" to "Star Trek: Titus" are all Great Mouse Detective-related): [link]
I particularly would love your opinion on his Vole's less than stellar past: [link]
Lestrade does get it pretty ruff dosnt he? funny enough though hes not all that bad in some of the radio shows, the imagination therter shows make him quite lickable really. And i love the rest of your gallery! fantastic stuff.
I suppose this is why I love the Jeremy Brett series. Colin Jeavons became one of my favourite actors to play Lestrade. Yes, he wasn't too bad in the radio shows, like the BBC Clive Merrison series. The Basil Rathbone radio series, like in the films, treated Lestrade much like they did Nigel Bruce's Watson.
Now, it is my opinion that one must never try and rant about how "incomplete" some works are, for then critique in itself would fail to have a point. The sketchiness in the first two "pictures" gives one the feeling that he (or she) is looking at one of those terribly old, terribly rare and also terribly beautiful Disney character sheets and concepts, and that is instantly a "+" in my book. Sketches are a work of art, no matter what.
BUT - the finished colored DIGITAL piece still captures the viewers' interest in a flash! (especially when Vole has that "aha!" kind of look ... lovely!)
Also, considering who this character actually is (mouse-Lestrade much? how awesome is that!) all I can think of saying is "congratulations!" Taking an already existing character from books and such - where little to no images or references are provided - and trying to give it shape (or how I like to call it: "life") is by no means an easy task. But your Vole looks perfectly in character!
Out of the 12 basic principles of animation, you most certainly know how to use the "appeal" on a character. For that, I thank and applaud you!
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