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TGMD: Case of the Outwitted Detective, Chapter V

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THE GREAT MOUSE DETECTIVE: THE CASE OF THE OUTWITTED DETECTIVE

Chapter V:  "Absolute Pin"

REVISED EDITION
Dramatised by Diane N. Tran


My friend, a master of disguises, did not merely change his costume, but his manner, his expression, his very soul, seemed to vary with every fresh part that he assumed.  The stage lost a fine actor, as science lost an acute reasoner, when Basil of Baker Street became a specialist in crime.

It was the following morning when the detective badgered me away from my breakfast to attire in an ill-fitted costume, then affixed me at his vanity, irritably humming an aria, as he slapped on cold cream and powder upon my face.

"Voilà!" cried he, triumphantly, before dropping a flat-brimmed hat atop and jostling me out of the seat, then he began to paint himself up with grease and gum.

Gazing upon my reflection within the glass with astonishment, he had sculpted my face with his deft hands by waxing down my moustache as if it never existed and gluing down scruffy side-whiskers, which curved down to my chin, with brows to match, into the guise of an elderly school-master.

My friend soon spun around his chair and I tried to control my amusement at his appearance.  He, too, affixed grey side-whiskers upon his cheeks, bristled up his eyebrows, with a pair of wire speckles on the brim of his nose, summing it all as a comical-looking Nonconformist clergyman.

"How come I can't wear those?" asked I, pointing to his crooked false teeth.

"I leek teese teefs," grinned he, with a whistling lisp between his crooked dentures.  "Now, Dawson, you understand everything I explained?"

"Of course, I have everything in my pockets."

"Then let us commence with our bit of intrigue."

It was a quarter past twelve when we left Baker Street through the back door.  As he hurried underneath the solitary plane tree, which graced the yard behind our house, he gave a most searching glance to right and left and, at every subsequent street corner, he took the utmost pains to assure that we were not followed.  Our route was certainly a singular one.  Basil's knowledge of the by-ways of London was extraordinary and, on this occasion, he passed rapidly through a network of mews and stables, the very existence of which I had never known, with an assured step.  It was not long when we stood before a numbered line of bright, dun-coloured houses.

Without hesitation, Basil pounded at one of the doors and there stood our prey in the aperture.  He had a huge frame, his head almost brushed the crossbar of the doorway and his breadth seemed to span it across from side to side, with his deep-set, bile-shot eyes under a pair of thick spectacles and the high, thin fleshless nose, below a huge, grizzled moustache, gave him an appearance of a fearsome bird.

"Mr. Stephan-Goddard, sir?" said Basil, who instantly fell into the role of a sweet and frail cleric.

The door slammed.

We glanced at each with the same puzzled expression.  Basil pounded the door again and it opened.

"My name is Reverend Ersatz and this is Dr. Doppler."

"A pleasure, sir," added I, with a thick Scottish accent.  "I've heard a great deal about you."

The door slammed again.

"If we could have a moment with you," Basil hollered, closely affront the door, "I could explain our mission?"

Silence.

"We are raising a subscription list, sir," he continued, loudly, "for a children's charity hospital!  You are a prominent resident here and we thought you might like to donate for our noble cause!"

"Aye, it's a fine cause, sir!" I shouted.  "I'm offering my educational services three days a week, and the Reverend here is donating his services, too!  Do think of the children, sir, whom are intricate our great future!"

Again, silence.

"All your neighbors have contributed to the cause, sir!  We just came from Baker Street, two of the residents there are most generous!  Sir?  Sir...?!"

The door opened and Stephan-Goddard demanded, disdainfully:  "Which residents of Baker Street?"

"Mr. Basil and a Dr. Dawson," I answered.  "They gave us cheques of five guineas each."

Stephan-Goddard clenched his fists as a frown crossed his face.  "They gave you ten guineas, did they?"

"Oh, yes," Basil continued, grinning with his false teeth.  "Very kind and generous gentlemen, Mr. Basil and the Doctor."

"We were proposing to name a ward in the hospital after them," I added, with a defiant nod.

Stephan-Goddard's lips curled disdainfully.  "Is this list of subscribers going to be published in the paper?"

"Oh, yes, indeed, sir.  The Globe, Pall Mall, Star, Echo—.”

"I'll give you twenty guineas!"

We both heaved a gasp and stared in a mock amazement.

"Oh, thank you, sir!" awed I, smiling my utmost in persiflage.  "Most magnanimous of you, sir!"

"Come into the study, gentlemen," snorted he, with a pretentious air.

As we followed his massive figure into the lion's den of a study, I could not help but move clumsily around the bric-à-brac, for the small room was garishly filled to the brim with Grecian Apollos and Renaissance Adonises. The walls hung the decadent portraits of a martyred St. Sebastian, his body, bound and bare, mutilated by multiple arrows, and a garlanded Emperor Elagabalus attempting to drown his bacchanal with a shower of rose petals, accompanied by a marble pair of the Trojan warriors Achilles and Patroclus at war that sat upon an orate table, alongside a helmeted bust of Alexander of Macedon.

"I'd offer you a seat, but you two shan't be here long."

"Oh, that's quite fine, sir," Basil twisted a smile at him.  "Thank you."

Our quarry sat at his opulent secretarial desk, his back to us.  As he unlocked his massive roll-top and retrieved his cheque-book, Basil raised his two fingers in the signal and I reached into my pockets for my hidden items, moving quietly behind him, with my arm poised.

"Gentlemen, whom do I make this cheque payable to?"

Before an answer was forthcoming, I was upon Stephan-Goddard, having poured the chloroform from a small vial into my handkerchief.  He struggled for a moment, his huge frame rising from the chair, lifting me effortlessly from the ground and dragging me with him, frantically kicking the empty air with my feet, but Basil held him steady with his hands.  Soon, his shoulders slumped forward and the entire body, with me atop of him, went limp and tottered flat to the floor with a clamorous thud, as the chloroform took effect.

"Very neat, Doctor," said Basil, a grin crossing his face.

The detective seemed to take no notice, as I checked his pulse.  He merely stepped over the unconscious figure and busied himself searching the drawers and compartments of the desk for the item in question.  He chuckled victoriously, his eyes gleaming with an almost maniacal zeal, as his long fingers lifted the ornate box from its hiding place.  It was decorated with tarnished filigree of a dull, discoloured metal, depicting a Hellenistic pastoral of twisting ivy and figures of warrior soldiers.  Then Basil's thumb slid to the latch and went to open the lid.  But I regained my feet and swiftly shut it, slapping his hand away.

"Don't open it!" hissed I.  "We promised we wouldn't!"

"But I just wish to make sure that—!"

However, Basil's reply was cut short by another voice that spoke from somewhere in the room:

"To make sure what was there, Basil of Baker Street?"

---

<< PREVIOUS - Chapter IV: "Castling Queenside"
>> NEXT - Chapter VI: "Passed Pawn"
Chapter I: "Setting Up the Board"
Chapter II: "Irregular Opening"
Chapter III: "Transposition"
Chapter IV: "Castling Queenside"
Chapter V: "Absolute Pin"
Chapter VI: "Passed Pawn"
---

Sherlock Holmes did occasionally commit or try to commit burglaries for clients, egotistically commenting that "It is fortunate for this community that I am not a criminal" in Bruce-Partington Plans, yet it's amusing that the running gags of Holmes is that he is actually a rather horrible thief!  He burglarized home of the titular Charles Augustus Milverton, the King of Blackmailers, successfully burning his blackmailing documents, yet left behind blood (from his cut finger), footprints, and Watson's shoe!  During the Illustrious Client, he succeed in stealing the "lust diary" of Baron Adelbert Gruner, but not after getting caught red-handed, and was also unable to prevent the villain from getting vitriol acid thrown in his face; the only reason why Holmes didn't go to prison is because his client pulled strings to prevent it (possibly the Prince of Wales/King Edward VII of England). When he discovered the location of Irene Adler's photograph in Scandal in Bohemia, he came back the following morning to collect it and it, of course, was gone.

The clergyman that Basil disguises himself as is a tribute to the exact same disguise Holmes used during the Scandal of Bohemia. The comical teeth is mostly due to the Jeremy Brett's adaptation of the story.  The names "Reverend Ersatz" and "Dr. Doppler" are anagrams: "Ersatz" means "substitute/imitation" and "Doppler" means "doubled." "The Globe, Pall Mall, Star, Echo" is the names of newspapers, among the most popular in London, published in the Victorian age, and the phrase is a direct quote from Jeremy Brett's Granada Sherlock Holmes series in the episode, The Blue Carbuncle.

St. Sebastian (died circa 288 CE), the patron saint of athletes and soldiers, commonly depicted as bound to a pillar and/or tree and shot with arrows, was executed during Roman Emperor Diocletian's persecution of Christians. The Roman Emperor/Empress Elagabalus, or Heliogabalus (203-222 CE). Anglo-Dutch artist Sir Lawrence Alma-Tadema's "The Roses of Heliogabalus" depicted an "incident" where she attempted to smother her unsuspecting guests during a feast to Dionysus with rose petals released from a false ceiling; this said "incident" was most likely a complete invention by the artist, as there is no historical evidence of documentation of this, due to her reputation for "eccentricity" and decadence." Achilles and Patroclus, according to Homer's legendary epic, The Iliad, were comrade-in-arms of the Trojan War; Achilles is famed for being invulnerable in all of his body except for his heel. The Greek King Alexander the Great, also known as Alexander III of Macedon (356-323 BCE), widely considered one of history's greatest military commanders, spent most of his ruling years on an unprecedented war campaign through Asia and Africa, creating one of the largest empires of the ancient world by the age of thirty that stretched from Greece to northwestern India. (I will hark back to these references, if you haven't figured them out already, to in a later chapter.)

"Absolute Pin" is a chess term where a pin is specifically made against a king, since the pinned piece cannot legally move, as moving it would expose the king to check. It is a powerful weapon since the king is now immobilised and one can pile up on it by adding more attackers. 

Special thanks to ThermidorResistance for being my Grammar Nazi.

The Great Mouse Detective © Eve Titus/Walt Disney
Irene Relda (this version) © Diane N. Tran
Oscar Milde © Diane N. Tran
The name "Sherringford" © Diane N. Tran

© 2014 - 2024 tranimation-art
Comments16
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ThermidorResistance's avatar
:star::star::star::star::star-half: Overall
:star::star::star::star::star: Vision
:star::star::star::star::star: Originality
:star::star::star::star::star: Technique
:star::star::star::star::star-empty: Impact

I've read quite a few pieces of prose featuring The Great Mouse Detective, but rarely have I come across one that executes the voice of the late Sir Author Conan Doyle with the acute characterization of Eve Titus' Basil of Baker Street. The author is well versed in the world both historically speaking and canonically of both Sherlock Holmes and Basil of Baker Street, and it reflects in her penmanship.

I have enjoyed reading each installment of this fiction, as it provides both a relaxing repose from the usual norm found in this genre. She is highly critical of her own work, and does her homework which reflects in how the characters interact with each other on the page. Writing in the third person takes skill, and it takes the ability to see within the eyes of the character what they see, not an easy feat to do. I find her work inspiring as well as enjoyed her devotion to this world and the characters within it. She has put a tireless effort to make these characters tangible and realistic versions of their human alter egos.

The only thing, and this is a very nitpicky thing, is that it would be nice to have more dialogue between Goddard and Basil. More descriptions of body language impressions of his home, what did Dawson feel, what did he see. There is a beautiful description of the infamous box, but the ending here felt rushed somehow. I was hoping for more build up to the knock out.